My work explores human connection and identity through a relationship with the natural environment. I primarily work with paper, natural dyes, botanicals, paint, and other mixed media. I’m inspired by rural landforms that form simple shapes of soil lines in a large field, water currents, and how mountain ranges fade into the distance. The views are ongoing and continuous like the natural cycles of time.
I make abstract landscapes that investigate ideas behind technology advancing and transitioning from paper to digital devices. By using paper as a material, I intend to draw on its symbolism to create a sense of touch and human presence for what could someday become an ancient tool for culture and communication. The work is fabricated through heavily process-driven steps of repetition—cutting, crumpling, piecing, and gluing.
I view these creations as metaphorical landscapes like pages in a book, the compositions are incremented into impressionable units that become accumulative, rhythmic, drifting, and ultimately dream-like. My work is tactile and intended to create the feeling of a physical shared experience, while delivering a quiet presence that reflects a meditative quality in a world that is always on and so loud.